Artices on cognitive neuroscienc of music

Articles on Cognitive Neuroscience of Music

Paulson, S., Bharucha, J., Iyer, V., Limb, C. & Tomaino, C.M. (2013). Music and the mind: The magical power of music. Annals of the NY Academy of Science, 1303, 63-79.

Large, E., Kim, J.C., Flaig, N., Bharucha, J. & Krumhansl, C. (in press). A neurodynamic account of musical tonality. Music Perception.

Bharucha, J., Curtis, M.E. & Paroo, K. (2011). Alignment of brain states: Response to commentaries. In P.M. Rebuschat, M. Rohrmeier, P.A. Hawkins & I. Cross (Eds.), Language and Music as Cognitive Systems. Oxford: Oxford University Press.

Curtis, M.E. & Bharucha, J. (2010). The minor third communicates sadness in speech, mirroring its use in music. Emotion, 10, 335-348.

Bharucha, J. (2009). From frequency to pitch, and from pitch class to musical key: Shared principles of learning and perception. Connection Science, 21, 177-192.

Bharucha, J, Curtis, M.E. & Paroo, K. (2011). Musical communication as alignment of brain states. In P. Rebuschat, M. Rohrmeier, J.A. Hawkins & I. Cross (Eds.), Language and Music as Cognitive Systems. Oxford: Oxford University Press.

Curtis, M.E. & Bharucha, J. (2009). Memory and musical expectation for tones in cultural context. Music Perception, 26, 365-375.

Bharucha, J. & Curtis, M.E. (2008). Affective spectra, synchronization and motion: Aspects of the emotional response to music. Behavioral and Brain Sciences, 31, 579.

Tillmann, B., Janata, P., Birk, J. & Bharucha, J. (2008). Tonal centers and expectancy: Facilitation or inhibition of chords at the top of the harmonic hierarchy? Journal of Experimental Psychology: Human Perception and Performance, 34, 1031-1043.

Bharucha, J. (2008). Expectation as an implicit process (Tribute to Leonard B Meyer). Music Perception, 25, 477-478.

Bharucha, J. (2007). Mind over music. A space for music. Tufts Magazine, XIV(2), 15-18.

Bharucha, J., Curtis, M.E. & Paroo, K. (2006). Varieties of musical experience. Cognition, 100, 131-172.

Janata, P., Birk, J., Van Horn, J.D., Leman, M., Tillmann, B. & Bharucha, J. (2003). The cortical topography of tonal structures underlying Western music. Science, 298, 2167-2170.

Tillmann, B., Bharucha, J. & Bigand, E. (2003). Learning and perceiving musical structures: further insights from artificial neural networks. In R. Zatorre & I. Peretz (Eds.), The Cognitive Neuroscience of Music. Oxford University Press.

Tillmann, B., Janata, P. & Bharucha, J. (2003). Activation of the inferior frontal cortex in musical priming. Cognitive Brain Research, 16, 145-161.

Janata, P., Birk, J.L., Tillmann, B. & Bharucha, J. (2003). Online detection of tonal pop-out in modulating contexts. Music Perception, 20, 283-306.

Tillmann, B., Janata, P., Birk, J. & Bharucha, J. (2003). The costs and benefits of tonal centers for chord processing. Journal of Experimental Psychology: Human Perception and Performance29: 470-482.

Janata, P., Tillmann, B., & Bharucha, J. (2002). Listening to polyphonic music recruits domain-general attention and working memory circuits. Cognitive, Affective, and Behavioral Neuroscience, 2, 121-140.

Tillmann, B. & Bharucha, J. (2002). Effect of harmonic relatedness on detection of temporal asynchronies. Perception & Psychophysics, 64, 640-649.

Justus, T.C. & Bharucha, J. (2002). Music perception and cognition. In H. Pashler & S. Yantis (Eds.), Stevens Handbook of Experimental Psychology (3rd Ed). New York: Wiley.

Justus, T.C. & Bharucha, J. (2001). Modularity in musical processing: The automaticity of harmonic priming. Journal of Experimental Psychology: Human Perception and Performance, 27, 1000-1011

Tillmann, B., Bharucha, J., & Bigand, E. (2001). Implicit learning of regularities in Western tonal music by self-organization. In R.M. French & J.P. Sougne (Eds.), Connectionist Models of Learning, Development and Evolution. Heidelberg: Springer.

Tillmann, B., Bharucha, J. & Bigand, E. (2000). Implicit learning of tonality: A self-organizing approach. Psychological Review, 107, 885–913.

Tillmann, B. & Bharucha, J. (1999). Perceiving and learning harmonic structure: Some news from MUSACT. International Journal of Computing Anticipatory Systems, 4, 289-300.

Bharucha, J. (1998). Neural nets, temporal composites and tonality. In D. Deutsch (Ed.), The Psychology of Music (2d Ed). New York: Academic Press [Reprinted in D.L. Levitin (Ed.) (2002), Foundations of Cognitive Psychology. Cambridge: MIT Press]

Tekman, H.G. & Bharucha, J. (1998). Implicit knowledge versus psychoacoustic similarity in priming of chords. Journal of Experimental Psychology: Human Perception & Performance, 24, 252-260.

Bharucha, J. (1996). Melodic anchoring. Music Perception, 13, 383-400.

Bharucha, J. & Mencl, W.E. (1996). Two issues in auditory cognition: Self-organization of categories and pitch-invariant pattern recognition. Psychological Science, 7, 142-149.

Bharucha, J. (1995). Neural nets and musical cognition. In R. Steinberg (Ed.), Music and the Mind Machine. Berlin/New York: Springer.

Bharucha, J. (1995). Editorial. Music Perception, 3, 271-272.

Bharucha, J. (1993). Tonality and expectation. In R. Aiello (Ed.), Musical Perceptions. Oxford: Oxford University Press (Translated into Japanese).

Tekman, H.G. & Bharucha, J. (1992). Time course of chord priming. Perception & Psychophysics, 51, 33-39.

Bharucha, J. (1992). Tonality and learnability. In M.R. Jones & S. Holleran (Eds.), Cognitive bases of musical communication. Washington, DC: American Psychological Association.

Tramo, M.J. & Bharucha, J. (1991). Musical priming by the right hemisphere post-callosotomy. Neuropsychologia, 29, 313-325.

Bharucha, J. (1991). Cognitive and brain mechanisms in perceptual learning. In J., Sundberg, L. Nord & R. Carlson (Eds.), Music, Language, Speech and Brain. London: Macmillan.

Bharucha, J. (1991). Pitch, harmony and neural nets: A psychological approach. In P. Todd & G. Loy (Eds.), Music and Connectionism. Cambridge: MIT Press.

Bharucha, J., & Todd, P. (1991). Modeling the perception of tonal structure with neural nets. Computer Music Journal, 13, 44-53. [Reprinted in P. Todd & G. Loy (Eds.), Music and Connectionism (pp 128-137). Cambridge: MIT Press.]

Tramo, M.J., Bharucha, J. & Musiek, F.E. (1990). Music perception and cognition following bilateral lesions of auditory cortex. Journal of Cognitive Neuroscience, 2, 195-212.

Bharucha, J. & Olney, K.L. (1989). Tonal cognition and artificial intelligence: Priming studies and connectionist modeling. Contemporary Music Review, 4, 341-356. [Reprinted in McAdams, S. & Deliege, I. (Eds.), Music and the Cognitive Sciences. New York: Harwood. [Translated and published in French as La Musique et les Sciences Cognitives, Brussels: Pierre Mardaga Editions].

Bharucha, J. (1987). Music cognition and perceptual facilitation: A connectionist framework. Music Perception, 5, 1-30.

Bharucha, J. & Stoeckig, K. (1987). Priming of chords: Spreading activation or overlapping frequency spectra? Perception & Psychophysics, 41, 519-524.

Bharucha, J. (1987). MUSACT: A connectionist model of musical harmony. In Proceedings of Ninth Annual Conference of the Cognitive Science Society (pp508-517). Hillsdale, NJ: Lawrence Erlbaum.

Bharucha, J., & Stoeckig, K. (1986). Reaction time and musical expectancy: Priming of chords. Journal of Experimental Psychology: Human Perception and Performance, 12, 403-410.

Bharucha, J. & Pryor, J. (1986). Disrupting the isochrony underlying rhythm: An asymmetry in discrimination Perception & Psychophysics, 40, 137-141.

Bharucha, J. (1986). Review of Cognitive processes in the perception of art by WR Crozier & AJ Chapman. Music Perception, 3, 315-322.

Krumhansl, C., & Bharucha, J. (1986). 1) Absolute pitch 2) Psychology of music 3) Tests of musical capacity and ability. In D.M. Randel (Ed.), Harvard Dictionary of Music (Rev ed). Cambridge: Harvard University Press.

Bharucha, J. (1985). Kognitive Musikpsychologie. In H. Bruhn, R. Oerter & H. Rosing (Eds. and trans.), Musikpsychologie: Ein Handbuch in Schlusselbegriffen (pp 123-132). Munich: Urban & Schwarzenberg.

Bharucha, J. (1984). Anchoring effects in music: The resolution of dissonance. Cognitive Psychology, 16, 485-518.

Bharucha, J. (1984). Event hierarchies, tonal hierarchies, and assimilation: A reply to Deutsch and Dowling. Journal of Experimental Psychology: General, 113, 421-425.

Castellano, M.A., Bharucha, J. & Krumhansl, C.L. (1984). Tonal hierarchies in the music of North India. Journal of Experimental Psychology: General, 113, 394-412.

Krumhansl, C.L., Bharucha, J. & Castellano, M.A. (1982). Key distance effects on perceived harmonic structure in music. Perception & Psychophysics, 32, 96-108.

Krumhansl, C.L., Bharucha, J. & Kessler, E.J. (1982). Perceived harmonic structure of chords in three related musical keys. Journal of Experimental Psychology: Human Perception and Performance, 8, 24-36.

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